In his novel Death in the Afternoon, Ernest Hemingway said that bullfighting was “the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter’s honor.” The latter half of this observation has become the credo of third-generation bullfighter Omar Villaseñor. During his six years as a professional bullfighter, he has learned the art of pleasing the crowd, which is a crucial aspect of this event. His masterful performances and subtle flourishes draw huge applause. He likens his performance to that of a fine ballet. “When I am in the arena, every move matters. My dance with the bull is my art,” Says Villaseñor.

However, his overconfidence often puts him in danger.  He has been gored and tossed many times.  At the tender age of 26, Villaseñor comes across as fragile. Despite his injuries he will often remain in the ring to finish his fight winning the love of his many fans.   He says, “I place my fate in God and my patron saint Santa Maria and pray to god before each fight to carry me through”. A detail of his faith, Villaseñor hand sews a tiny cross, given to him by his grandmother on his tie before each match. Bullfighting is an art steeped in tradition. Ever since the first bullfight, la corrida, in 1133, it has produced both reverence and disgust – while becoming an integral part of Spanish and Latino culture. As Villaseñor enters the arena, throwing his montera (hat) over his shoulder for luck, the crowd roars with excitement and he begins his intimate dance with the devil.