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Trouble The Water

We zip along the outskirts of Shell Island, deep in the swamp of Louisiana, gliding over the tranquil surface. As we near the shore, Rebel, who sits on the bow, hat backwards, eyes watchful, gives a thumbs-down to Julius Gaudet, letting him know that the line they set the day before is in the water. Julius pulls the boat to a stop near the shore as Rebel searches for the line with his gaff. He finds it, pulling hand-over-fist, as if reeling in a large fish. With a splash the reptilian head emerges suddenly from the water and Julius leans over the edge, putting one 9mm round through it’s brain. The two hunters pull their prey into the boat, tag it and toss it onto the deck, which will soon be stacked high with the rest of the day’s haul. Rebel turns to me, wiping blood onto his pants, and with a smile says, “And that’s how we do the gator dance.”

 

The state of Louisiana is home to the largest alligator population in the United States, estimated to be almost 2 million. Alligators are North America’s largest reptiles and are considered a renewable resource in an industry that has thrived in America’s Deep South for centuries. The first large alligator harvests occurred during the early 1800s. During the Civil War, alligator skins were used to make shoes and saddles for confederate troops. The alligator farming industry in Louisiana alone annually harvests 140,000-170,000 gators, which are valued at over $12,000,000.

 

The recession in the US has tightened the noose on the alligator industry. Wild hides that were once worth $37 per foot are now only bringing in an average of $7 per foot. Originally drawn to this topic for its relation to our nation’s economic struggle, I soon realized that the real story was about the community of people who profit from this little-known, niche industry. In this ongoing essay I will continue to study one of the Deep South’s renewable natural resources as those who live off it struggle to cope with the changing times.

View archive images from The Hunt

View archive images from The Farm


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A Place To Die

Matt Eich (b. 1986) was raised in the peanut-farming town of Suffolk, Virginia before he began his studies in photojournalism at Ohio University in 2004. His life and the focus of his work shifted dramatically when his daughter Madelyn was born in October 2007. The following summer of 2008, Matt interned with National Geographic Magazine, traveling to Peru, India, Rwanda and Botswana before returning to Ohio to complete his degree. While finishing school Matt began working as a freelance photographer for clients such as Newsweek, Mother Jones, TIME, The FADER, Smithsonian, More, The New York Times, New York Magazine, Businessweek, US News and World Report, The Wall Street Journal, Apple, The Canadian Opera Company and others. In 2009 Matt won POYi's Community Awareness Award, The Magenta Foundation's Bright Spark Award, was a finalist for the W. Eugene Smith Grant and was selected for the 16th World Press Photo Joop Swart Masterclass. Most recently he was awarded the HCP Juried Fellowship at the Houston Center For Photography, a 2nd place in POYi 67, was named one of PDN's 30 Emerging Photographers to Watch and received the F25 Award for Concerned Photography. Matt and his family now live in Norfolk, Virginia where he works on long-term projects while compulsively documenting everything around him.